Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the woocommerce-shipping-per-product domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/staging.esse.ca/htdocs/wp-includes/functions.php on line 6131

Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the complianz-gdpr domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/staging.esse.ca/htdocs/wp-includes/functions.php on line 6131
push and pull: Bridget Moser, Michael Vickers, Nikki Woolsey – Staging – Esse

push and pull: Bridget Moser, Michael Vickers, Nikki Woolsey

Britt Gallpen
Toronto, Mercer Union,
February 7 – March 22, 2014
81_CR06_Gallpen_I want to believe
Bridget Moser, I Want to Believe, 2014
photo : Toni Hafkenschied, courtesy of Mercer Union, Toronto

An aura of youth and vitality coupled with a slight precarity is immediately apparent upon entering push and pull, Georgina Jackson’s debut exhibition as director of exhibitions and publications at Mercer Union. This is perhaps due, in part, to the majority of the works having been made specifically for the show. And although the central premise of the exhibition has been contextualized as the interstitial, or the spaces of in-between or almost, the elements of storytelling and concern with time that similarly tie these three young artists together are perhaps more compelling.

You must log in to read this text! It’s free and no purchase will ever be required. Create an account or log in:

My Account

Please note that Editorials, Digital Residencies, Videos, and Archives are always free to access.

Want more? Some content is available with a Digital or Premium subscription only (Features, Off-Features, Portfolios, Columns).

Subscribe (starting at $20)

This article also appears in the issue 81 - Being Thirty
Discover

Suggested Reading