photo : © Elise Rasmussen, courtesy of the artist and ESP | Erin Stump Projects
What if the singular aura of an original artwork, that marker of authority and authenticity, could only be preserved through photography? What if, outside of the realm of museums and conservation departments, original works were left to weather, wear, and disappear? Such is the case with Elise Rasmussen’s photographs of the “missing” sculptures of Cuban-born artist Ana Mendieta (1948 – 1985). Rasmussen embarks on a project of rediscovery and resuscitation but forges something new in the process. In capturing the quiddity of Mendieta’s work, Rasmussen creates her own.
You must log in to read this text! It’s free and no purchase will ever be required. Create an account or log in:
Please note that Editorials, Digital Residencies, Videos, and Archives are always free to access.
Want more? Some content is available with a Digital or Premium subscription only (Features, Off-Features, Portfolios, Columns).
