In Explosive Works, Kabakov’s opening statement is based upon the assumption that the “autonomous” art is an endangered species, for it is permanently under attack. In this sense, this trialogue is a form of sabotage, an attempt to derail “enemy’s plots and efforts.” The point of departure of the trialogue was Damien Hirst’s exhibition at Gagosian Gallery, New York City, in fall 2000.
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