Natalie Bookchin, The Intruder, 1999.
photo : permission de l’artiste | courtesy of the artist

Over the past two decades, Internet art, an emerging art form within the category of new media art, has been gaining in popularity and ­status. The study of net art is particularly relevant to the notion of literary adaptation. Given its inherent flexibility, networking capabilities and information digitalization, the Internet offers numerous and ­innovative opportunities for importing and adapting print texts into an electronic environment. Rachel Green has pointed out that the web provides ­artists with “an environment uniquely hospitable to many diverse media: ­programming and animation, video and audio, gameplay and ­community. Given this environment, individual artists pick up these threads and weave them in novel combinations.”1 1 - Rachel Green, Internet Art (London: Thames & Hudson, 2004), 15.

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This article also appears in the issue 63 - Mutual Actions
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