Summary
58
Extimité ou le désir de s’exposer
Fall 2006
[In French] Reality TV, personal webcam sites, and the more recent phenomenon of blogs are all platforms where individuals stage certain aspects of their intimacy. This issue deals with the theme of “extimité” from two distinct perspectives: on the one hand according to Serge Tisseron’s definition, that is to say as an intimacy that has been exteriorized and displayed with more or less reserve; on the other hand, on focusing instead on the showing of the self in the varying contexts of the self’s staging.
Winner 2007 Magazine category, Grafika competition
Editorial
Feature
Les nouveaux visages de l’extimité : l’artiste et le délinquant
Big Mother : la webcam comme terminal relationnel
Le modèle artistique n’est plus une référence
L’art en famille : description d’un enfermement
S’exposer dans le monde : l’image vidéo et la représentation de soi
Le retour du je politique : quelques réflexions sur
le travail de Tanja Ostojic
L’autoportrait en suicidé : la tentative réussie de l’autofiction
Mensonges de l’autoportrait : mirages d’un projet autobiographique
Tout embrasser (encore) : entretien avec Raymonde April
Gérald ou la vie d’artiste
Off-Features
Columns
Reviews
Young Critics
Current Issue
Immersion
Winter 2026
This issue is interested in all forms of immersion in contemporary art. How are artists critically engaging with immersive technologies? Conversely, what kinds of practices are challenging technology in their pursuit of immersion? How are these experiences breaking down the boundaries between spectator, body, and art? We put forward proposals that rely on listening and sustained attention rather than on amplification and sensory overload – works using devices that are sometimes relatively simple and non-invasive, sometimes a little more elaborate, but in which participation is, with a few nuances, neither passive nor devoid of critical thinking.
Cover: doux soft club
bleu de lieu, 2023-2024.
Photo: Cléo Sjölander, courtesy of the artists