Summary
91
LGBT+
Fall 2017
Following our last issue, on the theme of feminisms, the feature continues with our reflection on the question of gender and sexuality by delving into practices and theories of artists who seek to transcend the idea of a binary, patriarchal society that is heteronormative and cisnormative. It explores, among other issues, the strategies deployed by artists to make LGTB+ communities visible and makes the multiplicity of voices on the margin of the patriarchal regime of knowledge production heard.
Editorial
Feature
In Homonational Times: Nationalist Mythology and LGBT Inclusivity
Islamicate Sexualities: the Artworks of Ebrin Bagheri
PosterVirus: Views from the Street
Invisible as One and Many: The Mirror Drawings of Anthea Black and Thea Yabut
Black Queer Grief in Michèle Pearson Clarke’s Parade of Champions
Peeling Objects for Queer Play
Portfolios
Off-Features
Columns
Reviews
Young Critics
Current Issue
Immersion
Winter 2026
This issue is interested in all forms of immersion in contemporary art. How are artists critically engaging with immersive technologies? Conversely, what kinds of practices are challenging technology in their pursuit of immersion? How are these experiences breaking down the boundaries between spectator, body, and art? We put forward proposals that rely on listening and sustained attention rather than on amplification and sensory overload – works using devices that are sometimes relatively simple and non-invasive, sometimes a little more elaborate, but in which participation is, with a few nuances, neither passive nor devoid of critical thinking.
Cover: doux soft club
bleu de lieu, 2023-2024.
Photo: Cléo Sjölander, courtesy of the artists