Summary
61
Fear
Fall 2007
As a psychological phenomenon linked to a perceived threat, be it real or imaginary, fear is a part of our daily lives. Writers and film makers have, for some time now, amused themselves by generating the conditions necessary to the staging of fear in an effort to entertain the public or to find in its production either a form of emotional stimulation or an outlet. Fear of death, dread of the day to day, the difficulty of living in society, the fear of difference or of being rejected for one’s singularity are some of the affects artists explore in this issue.
Editorial
Feature
Politics and the Art of Confusion: Perverse Strategies and Collective Paranoia
Fear of the Social
Terror, Terror
Fear and Its Double. (Real and Imaginary) Fears in Performance Art from Latin America
Une nouvelle « méthode paranoïaque-critique » : quelques vidéos et installations de Laurent Grasso
Saint-Jean-des-Images : Panique au village de Martin Bureau
Off-Features
Columns
Reviews
Young Critics
Current Issue
Immersion
Winter 2026
This issue is interested in all forms of immersion in contemporary art. How are artists critically engaging with immersive technologies? Conversely, what kinds of practices are challenging technology in their pursuit of immersion? How are these experiences breaking down the boundaries between spectator, body, and art? We put forward proposals that rely on listening and sustained attention rather than on amplification and sensory overload – works using devices that are sometimes relatively simple and non-invasive, sometimes a little more elaborate, but in which participation is, with a few nuances, neither passive nor devoid of critical thinking.
Cover: doux soft club
bleu de lieu, 2023-2024.
Photo: Cléo Sjölander, courtesy of the artists