Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the woocommerce-shipping-per-product domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/staging.esse.ca/htdocs/wp-includes/functions.php on line 6131

Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the complianz-gdpr domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/staging.esse.ca/htdocs/wp-includes/functions.php on line 6131
(Re)seeing Painting – Staging – Esse

Summary

102

(Re)seeing Painting

Spring Summer 2021

This features dedicated to painting is part of an attempt to encourage critical analyses of painting practices. While presenting a selection of articles that attest to the diversity of aesthetic and conceptual approaches to this art form, (Re)seeing Painting puts forward some considerations of the different strategies deployed in art practices or dissemination networks. Though pictorial research may remain central to painters, some of them use their works as formidable tools of empowerment or protest, as a means to critically examine society.

Editorial

Feature

Portfolios

Columns

Interviews

Reviews

Videos

Current Issue

Immersion

Winter 2026

This issue is interested in all forms of immersion in contemporary art. How are artists critically engaging with immersive technologies? Conversely, what kinds of practices are challenging technology in their pursuit of immersion? How are these experiences breaking down the boundaries between spectator, body, and art? We put forward proposals that rely on listening and sustained attention rather than on amplification and sensory overload – works using devices that are sometimes relatively simple and non-invasive, sometimes a little more elaborate, but in which participation is, with a few nuances, neither passive nor devoid of critical thinking.

Cover: doux soft club
bleu de lieu, 2023-2024.
Photo: Cléo Sjölander, courtesy of the artists

Order