Summary
Editorial
Feature
Il y a autant de performances…
Du spectaculaire contre le spectacle : le dilemme de l’art performance
La performance est un dialogue agi
Étages
Quelques réflexions à propos de la performance
Constanza Camelo
James Partaik
RÉFLEXIONS SCHÉMATIQUES :
travail sur le temps réel en situation d’espaces itinérants, rayonnants et in situ
Diane Landry
Sylvie Tourangeau
Claude Lamarche
Rachel Echenberg
William Pope.L
Espace-temps en devenir
Victoria Stanton
Performer, c’est mettre son corps en exil
Philippe Côté
Daniel Olson
Nathalie Derome & Josée Tremblay
Pierre Beaudoin
John Boehme
Tagny Duff
Marie-Josée Dauphinais
Louise Dubreuil
Christiane Patenaude
Doyon / Demers
Sylvie Cotton
Entrevue avec Esther Ferrer
Current Issue
Immersion
Winter 2026
This issue is interested in all forms of immersion in contemporary art. How are artists critically engaging with immersive technologies? Conversely, what kinds of practices are challenging technology in their pursuit of immersion? How are these experiences breaking down the boundaries between spectator, body, and art? We put forward proposals that rely on listening and sustained attention rather than on amplification and sensory overload – works using devices that are sometimes relatively simple and non-invasive, sometimes a little more elaborate, but in which participation is, with a few nuances, neither passive nor devoid of critical thinking.
Cover: doux soft club
bleu de lieu, 2023-2024.
Photo: Cléo Sjölander, courtesy of the artists