Summary

69

bling-bling

Spring / Summer 2010

Excess, exuberance, cheap knockoffs, and kitsch have literally invaded pop culture. Symptomatic of the trend, the term bling-bling seems especially suited for dealing with these artistic productions. First connected with hip-hop, the term has been taken up either to describe some conspicuous behaviour on the art scene, or to qualify works that employ overstated, flashy materials. The approach to bling-bling taken in this issue then, while offering an analysis of its particular aesthetics, affords varied reflections on different so-called “bling-bling” attitudes in contemporary society.

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Immersion

Winter 2026

This issue is interested in all forms of immersion in contemporary art. How are artists critically engaging with immersive technologies? Conversely, what kinds of practices are challenging technology in their pursuit of immersion? How are these experiences breaking down the boundaries between spectator, body, and art? We put forward proposals that rely on listening and sustained attention rather than on amplification and sensory overload – works using devices that are sometimes relatively simple and non-invasive, sometimes a little more elaborate, but in which participation is, with a few nuances, neither passive nor devoid of critical thinking.

Cover: doux soft club
bleu de lieu, 2023-2024.
Photo: Cléo Sjölander, courtesy of the artists

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