Photos : Ömer K. Yükseker, courtesy of Public Recordings
Public Recordings,
The Theatre Centre, Toronto,
November 24 — 26, 2016
Attending a performance titled Capitalist Duets elicits a tickle of cognitive dissonance. To term a work capitalist marks it the progeny, or even a proponent, of capitalism. It’s a suggestion that stands in stark contrast to my assumption, a naïve one perhaps, that most independent performance workers operate from a position of resisting, or at least trying to circumvent, this particular economic model.
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