Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the woocommerce-shipping-per-product domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/staging.esse.ca/htdocs/wp-includes/functions.php on line 6131

Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the complianz-gdpr domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/staging.esse.ca/htdocs/wp-includes/functions.php on line 6131
Inside: Artists and Writers in Reading Prison – Staging – Esse

Inside: Artists and Writers in Reading Prison

Emily LaBarge
HM Prison Reading, Reading September 4 — December 4, 2016
89_CR09_LaBarge_NanGoldin_TheBoy
Nan Goldin The Boy, 2016.
Photo : William Eckersley
HM Prison Reading, Reading September 4 — December 4, 2016

It takes roughly three hours to fully absorb and engage with Artangel’s most recent project, Inside: Artists and Writers in Reading Prison. As indicated by the show’s title, the UK-based institution that privileges site-specific, context-oriented exhibitions, has mounted a group exhibition inside HM Prison Reading. The prison, a classic example of Victorian penal architecture, was built in 1844 and continued to function as a working prison until it was decommissioned in 2013 — by which point its capacity had, purportedly, tripled. Site, context, and — perhaps most poignantly — temporality (past and present), here weighs heavy. Looming over the prison is the shadow of its most famous inmate, Oscar Wilde, who was imprisoned from May 1985 to May 1987, on charges of sodomy and gross indecency with men. Prisoners were kept in solitary confinement and forced to wear hoods when in public; hard labour involved turning barrels of rocks with a crank, and separating the tarred fibre scraps of old navy ropes: hence the phrase, “money for old rope.”

You must log in to read this text! It’s free and no purchase will ever be required. Create an account or log in:

My Account

Please note that Editorials, Digital Residencies, Videos, and Archives are always free to access.

Want more? Some content is available with a Digital or Premium subscription only (Features, Off-Features, Portfolios, Columns).

Subscribe (starting at $20)

89-Accueil-Apercu
This article also appears in the issue 89 - Library
Discover

Suggested Reading