Produzentin
So Fragile (Proddy in the Potty)

Owen Kosmala
Bonny Poon / Conditions, Toronto
February 15 – March 29, 2025
Produzentin
So Fragile (Proddy in the Potty), exhibition view, 2025.
Photo: LF Documentation, courtesy of the artist & Bonny Poon / Conditions, Toronto
ProduzentinSo Fragile (Proddy in the Potty), exhibition view, Bonny Poon / Conditions, Toronto, 2025.
Photo: LF Documentation, courtesy of the artist & Bonny Poon / Conditions, Toronto
Bonny Poon / Conditions, Toronto
February 15 – March 29, 2025
So Fragile (Proddy in the Potty) resided in Conditions’s unassuming washroom project space, showcasing a delicately dark scene of internal turmoil. Toronto’s internationally performing drag icon and co-founder of HotNuts parties, Produzentin (Proddy), has confessed her fascination with film noir and the cynical plots of post-war American cinema. In her most recent site-specific installation, she re-created and paused the decisive moment in Alfred Hitchcock’s movie Suspicion (1941), embodying Joan Fontaine in her climax of speculative hesitation. 

Produzentin’s commentary on the fragility of life was poignant, repositioning film noir motifs within a playful queer-oriented lens. In moments of uncertainty, does one down the milk and its darkness or risk the consequences of refusal? How truly delicate is our fragile existence? Produzentin’s ambiguous blend of sculpture, set design, and photography interrogated the limitations of existential dread and secrecy.

You must log in to read this text! It’s free and no purchase will ever be required. Create an account or log in:

My Account

Please note that Editorials, Digital Residencies, Videos, and Archives are always free to access.

Want more? Some content is available with a Digital or Premium subscription only (Features, Off-Features, Portfolios, Columns).

Subscribe (starting at $20)

Image de la couverture du numéro Esse 115 décomposition.
This article also appears in the issue 115 - Decay
Discover

Suggested Reading