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{"id":181047,"date":"1988-01-01T20:00:00","date_gmt":"1988-01-02T01:00:00","guid":{"rendered":"https:\/\/esse.ca\/editoriaux\/editorial-no-9\/"},"modified":"2023-09-01T12:07:20","modified_gmt":"2023-09-01T17:07:20","slug":"art-actuel-et-le-politique-impertinence","status":"publish","type":"editoriaux","link":"https:\/\/staging.esse.ca\/en\/editorial\/art-actuel-et-le-politique-impertinence\/","title":{"rendered":"Art actuel et le politique : (im)pertinence ?"},"content":{"rendered":"\n

[In French]<\/p>\n\n\n\n

Entre l\u2019affirmation d\u2019un art \u00abcanadien\u00bb qui puise ses exemples dans l\u2019art qu\u00e9b\u00e9cois en lui retirant toute sp\u00e9cificit\u00e9, comme tente de le d\u00e9montrer l\u2019article de Chantal Pontbriand intitul\u00e9 \u00abHistoire et postmodernit\u00e9\u00bb dans Parachute<\/em> 47 (\u00e9t\u00e9 1987) et le miroitement d\u2019un art qu\u00e9b\u00e9cois en tant que cocktail latino-rafra\u00eechissant, comme le vante Michel T\u00e9treault dans l\u2019article \u00abL\u2019art, c\u2019est sorcier\u00bb (paru dans l\u2019Actualit\u00e9<\/em> de juillet 1987); entre la croyance \u00e9tonnamment persistante du mythe de l\u2019objet comme \u00abmyst\u00e8re\u00bb comme l\u2019\u00e9crit le nouveau directeur de Vie des Arts<\/em>, Jean-Claude Leblond, dans la parution de l\u2019\u00e9t\u00e9 87 et l\u2019auto-promotion flatteuse telle que constat\u00e9e dans le num\u00e9ro du printemps 87 d\u2019Inter<\/em>, nous pensons qu\u2019il existe une voix autre : une voix qui penserait une sp\u00e9cificit\u00e9 qu\u00e9b\u00e9coise alors que le milieu artistique qu\u00e9b\u00e9cois se refuse lui-m\u00eame \u00e0 la reconna\u00eetre.<\/pre>\n\n\n\nVoil\u00e0 pourquoi nous relan\u00e7ons le d\u00e9bat, en 1987, sur le rapport entre l\u2019art actuel et le politique. Interrogation qui vient d\u2019une constatation de ce qui se fait pr\u00e9sentement dans le milieu artistique et de cette autre constatation, \u00e0 savoir l\u2019absence de discussions \u00e0 propos du contexte politique et culturel.<\/p>\n\n\n\n
Nous cherchons \u00e0 affirmer un art qu\u00e9b\u00e9cois conscient de son apport propre, sans pour autant \u00eatre referm\u00e9 sur lui-m\u00eame et ce, autant au niveau des \u0153uvres qu\u2019\u00e0 celui des institutions.<\/p>\n\n\n\n
Il y eut, avant les ann\u00e9es 80, un mouvement d\u2019art qu\u00e9b\u00e9cois engag\u00e9 qui a \u00e9t\u00e9 occult\u00e9. Les artistes qui veulent se mettre au diapason de l\u2019art international ont-ils conscience d\u2019une continuit\u00e9 historique? A-t-on conscience de la relation de son \u00abje\u00bb avec un collectif, qui n\u2019en serait pas un universel indiff\u00e9renci\u00e9?<\/p>\n\n\n\n
Les diff\u00e9rentes facettes de ce d\u00e9bat sur l\u2019art et le politique constituent le propos des articles du dossier dans le pr\u00e9sent num\u00e9ro. Et, \u00e9galement, sans pr\u00e9m\u00e9ditation de notre part, plusieurs auteurs traitent ce sujet \u00e0 l\u2019int\u00e9rieur des chroniques habituelles. D\u00e9bordement qui semble prouver que le sujet ne suscite pas que de l\u2019indiff\u00e9rence\u2026<\/p>\n\n\n
Comit\u00e9 de r\u00e9daction, Comit\u00e9 de r\u00e9daction<\/div>Comit\u00e9 de r\u00e9daction<\/div>Comit\u00e9 de r\u00e9daction<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1303,"featured_media":0,"template":"","categories":[886],"numeros":[5441],"disciplines":[],"statuts":[],"checklist":[],"auteurs":[],"artistes":[],"thematiques":[],"type_editoriaux":[],"class_list":["post-181047","editoriaux","type-editoriaux","status-publish","hentry","category-editorial","numeros-9-art-actuel-et-le-politique-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/editoriaux\/181047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/editoriaux"}],"about":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/types\/editoriaux"}],"author":[{"embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/users\/1303"}],"wp:attachment":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/media?parent=181047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/categories?post=181047"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/numeros?post=181047"},{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/disciplines?post=181047"},{"taxonomy":"statuts","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/statuts?post=181047"},{"taxonomy":"checklist","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/checklist?post=181047"},{"taxonomy":"auteurs","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/auteurs?post=181047"},{"taxonomy":"artistes","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/artistes?post=181047"},{"taxonomy":"thematiques","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/thematiques?post=181047"},{"taxonomy":"type_editoriaux","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/type_editoriaux?post=181047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}