<br />
<b>Notice</b>:  Function _load_textdomain_just_in_time was called <strong>incorrectly</strong>. Translation loading for the <code>woocommerce-shipping-per-product</code> domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the <code>init</code> action or later. Please see <a href="https://developer.wordpress.org/advanced-administration/debug/debug-wordpress/">Debugging in WordPress</a> for more information. (This message was added in version 6.7.0.) in <b>/var/www/staging.esse.ca/htdocs/wp-includes/functions.php</b> on line <b>6131</b><br />
<br />
<b>Notice</b>:  Function _load_textdomain_just_in_time was called <strong>incorrectly</strong>. Translation loading for the <code>complianz-gdpr</code> domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the <code>init</code> action or later. Please see <a href="https://developer.wordpress.org/advanced-administration/debug/debug-wordpress/">Debugging in WordPress</a> for more information. (This message was added in version 6.7.0.) in <b>/var/www/staging.esse.ca/htdocs/wp-includes/functions.php</b> on line <b>6131</b><br />
{"id":161055,"date":"2017-05-15T19:25:00","date_gmt":"2017-05-16T00:25:00","guid":{"rendered":"https:\/\/esse.ca\/?post_type=portfolio&#038;p=161055"},"modified":"2026-02-24T11:38:22","modified_gmt":"2026-02-24T16:38:22","slug":"billie-zangewaembroidery-for-constructing-collective-identity","status":"publish","type":"portfolio","link":"https:\/\/staging.esse.ca\/en\/portfolios\/billie-zangewaembroidery-for-constructing-collective-identity\/","title":{"rendered":"Billie Zangewa"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Embroidery for Constructing Collective Identity<\/h2>\n\n\n\n<p>Billie Zangewa, born in Malawi, studied graphics and printmaking at Rhodes University. The textured printing paper awakened her interest in the materiality of surfaces, and when she moved to Johannesburg she found her muse: the city. She uses self-referentiality as a conceptual framework within which to epitomize the contemporary African woman and contribute to her redefinition in societies in which patriarchy and reactionary views continue to work against the liberation of women. Although her tapestries are autobiographical, she finds recourse in the shaping of a collective identity, as in <em>Midnight Aura <\/em>and <em>Angelina Rising<\/em>\u200a\u2014\u200atitles that reference the names given to wax prints by the Dutch fabric company Vlisco. The African woman depicted in Zangewa\u2019s tapestries, who has \u201cexperienced modernity\u201d in the words of Yinka Shonibare MBE, has had to reclaim herself: passive and subjected to the desires of men, she has become the agent of seduction performed as a conscious and voluntary act.<\/p>\n\n\n\n<p><em>The Rebirth of the Black Venus<\/em>,for example, depicts a naked and graceful black woman descending on an imaginary contemporary metropolis. Her body is draped with a sash on which is written, \u201cSurrender whole-heartedly to your complexity.\u201d The woman\u2019s poise, grace, and sexual demeanour suggest a gesture of love: she is offering herself to the promises of the city. Zangewa does not consider herself a political artist, or a feminist artist for that matter. Nevertheless, it is important for her to weave stories from her female perspective. Her choice of embroidery as a mode of expression at a time when this (typically female) practice has fallen out of fashion attests to a certain radicality in her work and to her awareness of the creative power of women. Because she has taken a traditionally female pastime and made it into a source of creative self-expression, Zangewa\u2019s brand of feminism can be seen as an act of love for women.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1532\" height=\"1920\" src=\"https:\/\/esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_EveryWoman-scaled.jpg\" alt=\"Zangewa_EveryWoman\" class=\"wp-image-160745\" srcset=\"https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_EveryWoman-scaled.jpg 1532w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_EveryWoman-300x376.jpg 300w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_EveryWoman-600x752.jpg 600w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_EveryWoman-768x963.jpg 768w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_EveryWoman-1225x1536.jpg 1225w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_EveryWoman-1634x2048.jpg 1634w\" sizes=\"auto, (max-width: 1532px) 100vw, 1532px\" \/><figcaption class=\"wp-element-caption\"><strong>Billie Zangewa<\/strong><br><em>Every Woman<\/em>, 2016.<br>Photo&nbsp;: \u00a9 Billie Zangewa, courtesy of AFRONOVA GALLERY, Johannesburg<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1277\" height=\"1920\" src=\"https:\/\/esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_therebirthoftheblackvenus-scaled.jpg\" alt=\"Zangewa_therebirthoftheblackvenus\" class=\"wp-image-160749\" srcset=\"https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_therebirthoftheblackvenus-scaled.jpg 1277w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_therebirthoftheblackvenus-300x451.jpg 300w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_therebirthoftheblackvenus-600x902.jpg 600w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_therebirthoftheblackvenus-768x1154.jpg 768w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_therebirthoftheblackvenus-1022x1536.jpg 1022w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/03\/90_PF01_Kouoh_Zangewa_therebirthoftheblackvenus-1363x2048.jpg 1363w\" sizes=\"auto, (max-width: 1277px) 100vw, 1277px\" \/><figcaption class=\"wp-element-caption\"><strong>Billie Zangewa<\/strong><br><em>The Rebirth of the Black Venus<\/em>, 2010.<br>Photo&nbsp;: \u00a9 Billie Zangewa, courtesy of AFRONOVA GALLERY, Johannesburg<\/figcaption><\/figure>\n\n\n<div style='display: none;'>Billie Zangewa, Koyo Kouoh<\/div><div style='display: none;'>Billie Zangewa, Koyo Kouoh<\/div><div style='display: none;'>Billie Zangewa, Koyo Kouoh<\/div><div style='display: none;'>Billie Zangewa, Koyo Kouoh<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1303,"featured_media":160747,"template":"","meta":{"_acf_changed":false},"categories":[885],"numeros":[5946],"disciplines":[],"statuts":[],"checklist":[],"auteurs":[2338],"artistes":[2339],"thematiques":[],"type_portfolio":[],"class_list":["post-161055","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","category-portfolio","numeros-90-feminisms","auteurs-koyo-kouoh-en","artistes-billie-zangewa"],"acf":[],"_links":{"self":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/portfolio\/161055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/users\/1303"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/media\/160747"}],"wp:attachment":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/media?parent=161055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/categories?post=161055"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/numeros?post=161055"},{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/disciplines?post=161055"},{"taxonomy":"statuts","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/statuts?post=161055"},{"taxonomy":"checklist","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/checklist?post=161055"},{"taxonomy":"auteurs","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/auteurs?post=161055"},{"taxonomy":"artistes","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/artistes?post=161055"},{"taxonomy":"thematiques","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/thematiques?post=161055"},{"taxonomy":"type_portfolio","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/type_portfolio?post=161055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}