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{"id":164598,"date":"2016-01-15T19:05:00","date_gmt":"2016-01-16T00:05:00","guid":{"rendered":"https:\/\/esse.ca\/portfolio\/bouchra-khalili\/"},"modified":"2023-06-07T13:43:43","modified_gmt":"2023-06-07T18:43:43","slug":"bouchra-khalili","status":"publish","type":"portfolio","link":"https:\/\/staging.esse.ca\/en\/portfolios\/bouchra-khalili\/","title":{"rendered":"Bouchra Khalili"},"content":{"rendered":"\n<p><em>The Mapping Journey Project<\/em> (2008\u2013\u200a2011) is an installation composed of eight videos that present a new cartography of the Mediterranean space situated between Africa, Europe, Asia, and the Middle East by following eight migrants making clandestine journeys. In each video, an anonymous subject\u2019s hand traces his or her migratory movement starting in the Mediterranean Sea and radiating in a different direction beyond national borders. Subverting the visual model of the traditional world map, the individual line becomes the narrative device with which the protagonists describe their voyages. The stories, punctuated with tragic episodes (bureaucratic oppression, waiting periods, detention, deportation, disease) are related in several languages, factually and precisely. This restraint echoes the artist\u2019s philosophical position that these movements are not simply the consequence of political and economic issues, but a mode of resistance through which the subjects reject power as it is expressed in the normative definition of borders, state control, and ideological <span style=\"white-space: nowrap;\">restrictions.<a class=\"fn-link\" id=\"fn-ref-1\" href=\"#footnote-1\"><sup>1<\/sup><\/a><\/span><span class=\"fn\" id=\"footnote-1\"><a href=\"#fn-ref-1\"> 1 <\/a> - See the enlightening analysis on which this commentary is based: Diana Nawi, \u201cOther Maps: On Bouchra Khalili\u2019s Cartographies,\u201d <em>Ibraaz<\/em>, Platform 008 (January 2015).<\/span> The transgressive nature of clandestine travel is also addressed in the eight silkscreen prints in the project titled <em>The Constellations <\/em>(2011), which portrays the movements of the people in the videos but deletes all references to borders. By inverting the logic inherent to the constellation\u200a\u2014\u200awhich, in navigation, is used for positioning\u200a\u2014\u200athis project turns the itineraries of the protagonists into the reality by which the star chart takes shape. Finally, the political dimension of the very concept of <em>movement<\/em> is revealed in Khalili\u2019s work; in her view, the journeys consist of an act of failure that allows one to ask \u201chow human beings find the strength to resist even when they are caught in the net of arbitrary power.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size\">Translated from the French by <strong>K\u00e4the Roth<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1269\" height=\"1920\" src=\"https:\/\/esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-3.jpg\" alt=\"86_PF02_Khalili_The Constellations Fig 3\" class=\"wp-image-164256\" srcset=\"https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-3.jpg 1269w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-3-300x454.jpg 300w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-3-600x908.jpg 600w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-3-768x1162.jpg 768w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-3-1015x1536.jpg 1015w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-3-1353x2048.jpg 1353w\" sizes=\"auto, (max-width: 1269px) 100vw, 1269px\" \/><figcaption class=\"wp-element-caption\"><strong>Bouchra Khalili<\/strong><br><em>The Constellations, Fig. 3<\/em>, from the series <em>The Constellations<\/em>, 2011.<br>Photo\u2009: courtesy of the artist &amp; Galerie Polaris, Paris<br><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1266\" height=\"1772\" src=\"https:\/\/esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-7.jpg\" alt=\"86_PF02_Khalili_The Constellations Fig 7\" class=\"wp-image-164258\" srcset=\"https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-7.jpg 1266w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-7-300x420.jpg 300w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-7-600x840.jpg 600w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-7-768x1075.jpg 768w, https:\/\/staging.esse.ca\/wp-content\/uploads\/2022\/05\/86_PF02_Khalili_The-Constellations-Fig-7-1097x1536.jpg 1097w\" sizes=\"auto, (max-width: 1266px) 100vw, 1266px\" \/><figcaption class=\"wp-element-caption\"><strong><strong>Bouchra Khalili<\/strong><br><\/strong><em>The Constellations, Fig. <\/em>7, from the series <em>The Constellations<\/em>, 2011.<br>Photo\u2009: courtesy of the artist &amp; Galerie Polaris, Paris<br><\/figcaption><\/figure>\n<div style='display: none;'>Bouchra Khalili, Dominique Allard<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1303,"featured_media":164260,"template":"","meta":{"_acf_changed":false},"categories":[885],"numeros":[6517],"disciplines":[],"statuts":[],"checklist":[],"auteurs":[2356],"artistes":[2889],"thematiques":[],"type_portfolio":[],"class_list":["post-164598","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","category-portfolio","numeros-86-geopolitics-en","auteurs-dominique-allard-en","artistes-bouchra-khalili-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/portfolio\/164598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/users\/1303"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/media\/164260"}],"wp:attachment":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/media?parent=164598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/categories?post=164598"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/numeros?post=164598"},{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/disciplines?post=164598"},{"taxonomy":"statuts","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/statuts?post=164598"},{"taxonomy":"checklist","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/checklist?post=164598"},{"taxonomy":"auteurs","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/auteurs?post=164598"},{"taxonomy":"artistes","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/artistes?post=164598"},{"taxonomy":"thematiques","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/thematiques?post=164598"},{"taxonomy":"type_portfolio","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/type_portfolio?post=164598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}