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{"id":173472,"date":"2011-01-01T19:10:00","date_gmt":"2011-01-02T00:10:00","guid":{"rendered":"https:\/\/esse.ca\/portfolio\/josee-pedneault\/"},"modified":"2022-08-24T12:36:24","modified_gmt":"2022-08-24T17:36:24","slug":"josee-pedneault","status":"publish","type":"portfolio","link":"https:\/\/staging.esse.ca\/en\/portfolios\/josee-pedneault\/","title":{"rendered":"\u00a0Jos\u00e9e Pedneault"},"content":{"rendered":"\n

Created during a residency in Paris, the project Pour que tu ne m\u2019oublies pas <\/em>gathers photographs of amorous graffiti that Jos\u00e9e Pedneault found, catalogued and retranscribed to their respective locations on a map, thereby recreating a topography of the city using the traces left by lovers. In this project the artist applies a quasi-scientific inventory method to an ordinary and universal action. For, even though it seeks to endure, graffiti is in fact ephemeral. This quest is therefore unrealistic from the outset. <\/p>\n\n\n\n

The 175 photographs of graffiti, shown in various stages of degradation depending on their age, lead us to realize that, regardless of the support and technique, \u00adgraffiti does not last: park benches are repainted, bark heals, cement crumbles. The accumulation of images makes us reconsider this gesture, which hence appears as an unrelenting and hopeless battle against time. <\/p>\n\n\n\n

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Jos\u00e9e Pedneault, Pour que tu ne m\u2019oublies pas,<\/em> Paris, 2008.
photos : permission de l’artiste | courtesy of the artist
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Jos\u00e9e Pedneault<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1303,"featured_media":173149,"template":"","meta":{"_acf_changed":false},"categories":[281,885],"numeros":[3680],"disciplines":[],"statuts":[335],"checklist":[],"auteurs":[],"artistes":[3731],"thematiques":[],"type_portfolio":[],"class_list":["post-173472","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","category-archive","category-portfolio","numeros-71-inventories","statuts-archive","artistes-josee-pedneault-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/portfolio\/173472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/users\/1303"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/media\/173149"}],"wp:attachment":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/media?parent=173472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/categories?post=173472"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/numeros?post=173472"},{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/disciplines?post=173472"},{"taxonomy":"statuts","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/statuts?post=173472"},{"taxonomy":"checklist","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/checklist?post=173472"},{"taxonomy":"auteurs","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/auteurs?post=173472"},{"taxonomy":"artistes","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/artistes?post=173472"},{"taxonomy":"thematiques","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/thematiques?post=173472"},{"taxonomy":"type_portfolio","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/type_portfolio?post=173472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}