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{"id":173896,"date":"2022-09-05T18:40:00","date_gmt":"2022-09-05T23:40:00","guid":{"rendered":"https:\/\/esse.ca\/?post_type=portfolio&p=173896"},"modified":"2025-10-14T14:35:22","modified_gmt":"2025-10-14T19:35:22","slug":"julia-rose-sutherland","status":"publish","type":"portfolio","link":"https:\/\/staging.esse.ca\/en\/portfolios\/julia-rose-sutherland\/","title":{"rendered":"Julia Rose Sutherland"},"content":{"rendered":"\n

Artiste Mi\u2019kmaq de la nation Metepenagiag, Julia Rose Sutherland compose \u00e0 partir de son h\u00e9ritage culturel et, particuli\u00e8rement, des blessures physiques et sociales li\u00e9es \u00e0 ses racines autochtones. Dans son travail, elle se penche notamment sur la d\u00e9pendance, la sant\u00e9 mentale et les pratiques de gu\u00e9rison. Elle tire son inspiration des techniques et des mat\u00e9riaux traditionnels mi\u2019kmaq pour aborder les syst\u00e8mes de repr\u00e9sentation et les politiques identitaires entourant les peuples autochtones en Am\u00e9rique du Nord.<\/p>\n\n

Immortalis\u00e9e sous la forme d\u2019une vid\u00e9o, la performance Pain and Release \u201cGesipatl lga\u2019latl\u201d<\/em> (2019) montre l\u2019artiste se perforant la peau \u00e0 l\u2019aide d\u2019\u00e9pines de porc-\u00e9pic. Elle reproduit, sans en respecter l\u2019ordre, les gestes associ\u00e9s \u00e0 la pratique chr\u00e9tienne du signe de croix (\u00ab\u2009au nom du P\u00e8re, du Fils et du Saint-Esprit, amen\u2009\u00bb) en rempla\u00e7ant le toucher par l\u2019insertion de piquants sur ses \u00e9paules, son front et sa poitrine. L’un apr\u00e8s l\u2019autre, ils s\u2019unissent au corps de l\u2019artiste, le d\u00e9corant comme ils sertiraient un panier en \u00e9corce de bouleau mi\u2019kmaq. Sutherland proc\u00e8de ensuite \u00e0 l’extraction des \u00e9pines et, avec un filet de sang qui coule le long de son visage, les place au travers de sa robe blanche en cr\u00e9ant un motif qui s\u2019apparente \u00e0 une croix. Pain and Release \u201cGesipatl lga\u2019latl\u201d<\/em> fait \u00e9tat de la violence v\u00e9cue par les peuples autochtones, mais \u00e9galement de la r\u00e9silience qui accompagne leurs pratiques de gu\u00e9rison.<\/p>\n\n

Avec l\u2019installation Npuinu \u00ean\u00b7pu\u00b7i\u00b7nu- \u201cCorpse\u201d<\/em> (2021), Sutherland pr\u00e9sente des corps en sucre moul\u00e9s \u00e0 partir de l\u2019anatomie de personnes trans ou s\u2019identifiant comme femmes provenant des communaut\u00e9s noires, autochtones ou racis\u00e9es. Les sculptures, qui sont produites par l\u2019accumulation de plusieurs couches de sucre, \u00e9voquent \u00e0 la fois des formations g\u00e9ologiques et des h\u00e9ritages ancestraux. Faisant appel \u00e0 la notion de perte et au processus d\u2019exotisation, Npuinu \u00ean\u00b7pu\u00b7i\u00b7nu- \u201cCorpse\u201d<\/em> met parall\u00e8lement de l\u2019avant une revendication des corps marginalis\u00e9s par le colonialisme \u00e0 travers la mat\u00e9rialisation m\u00eame de ce qui disparait sous le regard colonial.<\/p>\n\n

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\"Julia-Rose-Sutherland_PainandRelease\"<\/figure>\n<\/div>\n\n\n\n
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Julia Rose Sutherland<\/strong>Pain and Release \u201cGesipatl lga\u2019latl\u201d<\/em>,vues de la performance,Moh-k\u00edns-tsis, Treaty 7 Territory (Calgary), 2019.Photos : Erik Sirke, permission de l’artiste<\/p>\n\n

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\"Julia-Rose-Sutherland_.Corpse\"<\/figure>\n<\/div>\n\n\n\n
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\"Julia-Rose-Sutherland_.Corpse\"<\/figure>\n<\/div>\n<\/div>\n\n

Julia Rose Sutherland<\/strong>Npuinu \u00ean\u00b7pu\u00b7i\u00b7nu-\u201cCorpse\u201d<\/em>, 2021.Photos : permission de Visual Arts Centre of Clarington, Bowmanville<\/p>\n

Julia Rose Sutherland, Maude Johnson<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":15,"featured_media":173847,"template":"","meta":{"_acf_changed":false},"categories":[885],"numeros":[3686],"disciplines":[],"statuts":[],"checklist":[],"auteurs":[909],"artistes":[3800],"thematiques":[],"type_portfolio":[],"class_list":["post-173896","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","category-portfolio","numeros-106-pain","auteurs-maude-johnson-en","artistes-julia-rose-sutherland-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/portfolio\/173896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/users\/15"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/media\/173847"}],"wp:attachment":[{"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/media?parent=173896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/categories?post=173896"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/numeros?post=173896"},{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/disciplines?post=173896"},{"taxonomy":"statuts","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/statuts?post=173896"},{"taxonomy":"checklist","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/checklist?post=173896"},{"taxonomy":"auteurs","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/auteurs?post=173896"},{"taxonomy":"artistes","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/artistes?post=173896"},{"taxonomy":"thematiques","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/thematiques?post=173896"},{"taxonomy":"type_portfolio","embeddable":true,"href":"https:\/\/staging.esse.ca\/en\/wp-json\/wp\/v2\/type_portfolio?post=173896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}